How This Unconventional dressmaker Is Blurring the line Between furniture and Sculpture

Unconventional dressmaker Is Blurring the line Between furniture and Sculpture

German clothier Valentin Loellmann’s refined, contemporary work sits proudly on the intersection of furnishings and sculpture. “For me, my work performs with the theory of categories,” says Loellmann, who has a solo exhibition opening this month at new york’s Twenty First Gallery. “It’s now not art, it’s no longer design—it’s some thing in between.”

Loellmann’s benches and buffets, and different pieces additionally play with the thought of contrast and paradox. A table is made of active resin and cold brass, a “couch” is made out of timber and metal. It’s a conflict of warm and bloodless materials, and yet a cohesive product consequences. His resin desk, as an example, appears greater excellent rings than bespoke furnishings; a narrative that makes the piece all the more compelling. “I try to create two distinct personalities in one piece,” provides Loellmann. “So once I work with marble, as an instance, I wish to provide the heaviness of the stone a very easy look.”

Valentin Loellmann’s walnut and solid brass sofa

Valentin Loellmann’s walnut and solid brass couch.  Courtesy of Valentin Loellmann

indeed, the designer’s work brings this concept to the normal coffee desk—or stand-by myself staircase. The latter represents Loellmann’s greater conceptual, sculptural items, although a stainless-steel staircase can still be introduced into the home and used as a pseudo-shelf, should the owner put his or her intellect to it. however’s greater kind than function, extra sculpture than furniture, while nonetheless concurrently current inside each areas. “This become some of the last items I did for the brand new assortment, and i did it with superb pleasure,” Loellmann concludes. “It’s a chunk it is, in a means, effortless to access as a result of everybody knows what it's. but it additionally has a symbolic personality to it.”

And regardless of the (literal) heavy lifting that goes along with Loellmann’s work—his resin table alone, while captivating, weighs over 300 pounds—Loellmann says he’s “very eager” on keeping every little thing in his own studio. where else may such a delicate confluence of behold furni-culpture happen?


How This Unconventional dressmaker Is Blurring the line Between furniture and Sculpture German clothier Valentin Loellmann’s refined, contemporary work sits proudly on the intersection of furnishings and sculpture. “For me, my work performs with the theory of categories,” says Loellmann, who has a solo exhibition opening this month at new york’s Twenty First Gallery. “It’s now not art, it’s no longer design—it’s some thing in between.” Loellmann’s benches and buffets, and different pieces additionally play with the thought of contrast and paradox. A table is made of active resin and cold brass, a “couch” is made out of timber and metal. It’s a conflict of warm and bloodless materials, and yet a cohesive product consequences. His resin desk, as an example, appears greater excellent rings than bespoke furnishings; a narrative that makes the piece all the more compelling. “I try to create two distinct personalities in one piece,” provides Loellmann. “So once I work with marble, as an instance, I wish to provide the heaviness of the stone a very easy look.” Valentin Loellmann’s walnut and solid brass couch.  Courtesy of Valentin Loellmann indeed, the designer’s work brings this concept to the normal coffee desk—or stand-by myself staircase. The latter represents Loellmann’s greater conceptual, sculptural items, although a stainless-steel staircase can still be introduced into the home and used as a pseudo-shelf, should the owner put his or her intellect to it. however’s greater kind than function, extra sculpture than furniture, while nonetheless concurrently current inside each areas. “This become some of the last items I did for the brand new assortment, and i did it with superb pleasure,” Loellmann concludes. “It’s a chunk it is, in a means, effortless to access as a result of everybody knows what it's. but it additionally has a symbolic personality to it.” And regardless of the (literal) heavy lifting that goes along with Loellmann’s work—his resin table alone, while captivating, weighs over 300 pounds—Loellmann says he’s “very eager” on keeping every little thing in his own studio. where else may such a delicate confluence of behold furni-culpture happen?
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